The Berlin International Film Festival, known as Berlinale, has long been a showcase for diverse cinematic experiences, including the chilling realm of horror. This curated collection of ten horror films from Berlinale not only promises spine-tingling thrills but also offers a unique perspective on global horror cinema. Each film has been selected for its innovative storytelling, cultural significance, and its ability to evoke fear in new and unexpected ways, making this list a must-watch for horror enthusiasts seeking both entertainment and a deeper understanding of the genre.

The Neon Demon (2016)
Description: Directed by Nicolas Winding Refn, this film was screened at Berlinale for its visually stunning exploration of beauty, obsession, and horror in the fashion industry.
Fact: The film's soundtrack was composed by Cliff Martinez, known for his work with Refn on "Drive."


The Babadook (2014)
Description: Although not premiered at Berlinale, it was screened there later. Its inclusion reflects the festival's appreciation for psychological horror that delves into grief and motherhood.
Fact: The Babadook has become an internet meme, symbolizing depression and anxiety.


A Girl Walks Home Alone at Night (2014)
Description: An Iranian-American vampire western, this film was screened at Berlinale for its unique visual style and feminist themes, highlighting the festival's embrace of genre-blending horror.
Fact: It was the first feature film directed by Ana Lily Amirpour, who also wrote and edited the film.


The Invitation (2015)
Description: Screened at Berlinale, this film builds tension through a dinner party where past traumas and paranoia intertwine, showcasing the festival's interest in horror that plays with psychological suspense.
Fact: The film was shot in just 20 days, emphasizing its tight narrative structure.


The Autopsy of Jane Doe (2016)
Description: This film was screened at Berlinale for its chilling narrative about a father-son coroner team uncovering supernatural secrets during an autopsy. Its inclusion highlights the festival's interest in horror that blends medical thriller elements with the supernatural.
Fact: The film was shot in a real morgue, adding an eerie authenticity to the setting.


The Witch (2015)
Description: While not premiered at Berlinale, it was screened there, noted for its historical accuracy and atmospheric horror, reflecting the festival's interest in period horror films.
Fact: The film uses authentic 17th-century English dialect, adding to its eerie authenticity.


Under the Shadow (2016)
Description: This Iranian horror film was screened at Berlinale, offering a unique blend of supernatural horror set against the backdrop of the Iran-Iraq War, showcasing the festival's commitment to diverse narratives.
Fact: It was Iran's official submission for the Best Foreign Language Film at the 89th Academy Awards.


Raw (2016)
Description: A French-Belgian horror film that explores cannibalism and coming-of-age themes, Raw was a standout at Berlinale for its raw (pun intended) depiction of transformation and horror.
Fact: The film's director, Julia Ducournau, was only 33 when she made this critically acclaimed debut.


Goodnight Mommy (2014)
Description: An Austrian psychological horror film that explores themes of identity and trust, it was a notable entry at Berlinale for its unsettling atmosphere and narrative twists.
Fact: The film was Austria's submission for the Best Foreign Language Film at the 88th Academy Awards.


The Wailing (2016)
Description: This South Korean horror mystery was screened at Berlinale, known for its blend of folklore, detective work, and supernatural horror, making it a standout for its cultural depth.
Fact: The film's director, Na Hong-jin, is known for his meticulous attention to detail in crafting horror narratives.
