- The Mirror (1975)
- The Pass (1988)
- Viy (1967)
- The Color of Pomegranates (1969)
- The Irony of Fate, or Enjoy Your Bath (1975)
- The Dead Mountaineer's Hotel (1979)
- The Black Hen (1989)
- The House Under the Crescent Moon (1971)
- The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (1973)
- The Ghost (1984)
Soviet cinema is often celebrated for its dramatic and historical narratives, but it also ventured into the realm of horror, producing films that are both unique and chilling. This collection showcases ten Soviet horror films, each with English dubbing, offering a rare glimpse into the darker side of Soviet filmmaking. These films not only entertain but also provide insight into the cultural and political atmosphere of the time, making them a valuable watch for both horror enthusiasts and film historians.

The Mirror (1975)
Description: While primarily known for its autobiographical elements, Tarkovsky's "The Mirror" contains dream-like sequences that evoke a sense of existential horror.
Fact: The film was initially met with mixed reactions due to its non-linear narrative but has since been recognized as a masterpiece.


The Pass (1988)
Description: A psychological thriller set in the mountains where a group of climbers face not only the harsh environment but also their own fears and paranoia.
Fact: The film was shot in real mountain conditions, adding to its authenticity and the sense of isolation.


Viy (1967)
Description: Based on a story by Nikolai Gogol, "Viy" is often considered the first Soviet horror film. It tells the tale of a seminary student who encounters supernatural forces in a remote village.
Fact: The film was initially banned by Soviet censors for its supernatural content but was later released with some edits. It's also known for its impressive special effects, considering the era it was made.


The Color of Pomegranates (1969)
Description: A surreal and visually stunning film that, while not a horror, contains scenes that are deeply unsettling and dreamlike, exploring themes of death and rebirth.
Fact: Directed by Sergei Parajanov, the film was heavily censored and edited by Soviet authorities for its unconventional style.


The Irony of Fate, or Enjoy Your Bath (1975)
Description: While not a horror film in the traditional sense, this comedy includes a surreal dream sequence that delves into psychological horror, making it an intriguing inclusion in this list.
Fact: This film is a New Year's Eve tradition in Russia, and the dream sequence was a bold move to include elements of horror in a comedy.


The Dead Mountaineer's Hotel (1979)
Description: A detective story with elements of sci-fi and horror, where a detective investigates mysterious events at a secluded hotel in the mountains, leading to a surreal and eerie conclusion.
Fact: The film was based on a novel by the Strugatsky brothers, famous for their science fiction works. It was one of the first Soviet films to blend genres in such an innovative way.


The Black Hen (1989)
Description: A dark fantasy film where a boy searches for a magical black hen that can grant wishes, leading him into a world of dark magic and horror.
Fact: The film was one of the last to be produced during the Soviet era, reflecting the changing times and the loosening of censorship.


The House Under the Crescent Moon (1971)
Description: This film blends elements of horror with a detective story, where a series of mysterious events unfold in an old house.
Fact: The film was inspired by Edgar Allan Poe's "The Fall of the House of Usher," adapting the gothic horror to a Soviet setting.


The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (1973)
Description: This opera film adaptation includes scenes of supernatural phenomena, making it a unique entry into the horror genre.
Fact: The film was based on Rimsky-Korsakov's opera, and its mystical elements were a rare depiction of fantasy in Soviet cinema.


The Ghost (1984)
Description: A psychological horror film about a man who becomes obsessed with the ghost of his deceased wife, leading to a descent into madness.
Fact: The film was one of the few Soviet films to openly explore themes of mental illness and the supernatural.
