Lucio Fulci, often dubbed the "Godfather of Gore," has left an indelible mark on the horror genre with his visceral, surreal, and often controversial films. This collection showcases ten of his most iconic horror films, each offering a unique blend of terror, gore, and psychological horror. These films not only highlight Fulci's distinctive style but also provide a deep dive into the macabre and the grotesque, making them essential viewing for fans of horror cinema.
Don't Torture a Duckling (1972)
Description: This giallo film mixes horror with social commentary, focusing on the murder of children in a small Italian village, with Fulci's typical flair for the macabre.
Fact: The film was banned in Italy for a time due to its depiction of the Catholic Church.
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The Psychic (1977)
Description: While more of a giallo thriller, it contains horror elements with its story of a woman who has visions of a murder, leading to a chilling investigation.
Fact: The film was one of Fulci's first forays into the supernatural, setting the stage for his later horror works.
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City of the Living Dead (1980)
Description: Known for its shocking scenes like the woman vomiting up her intestines, this film explores themes of necromancy and the undead in a small American town.
Fact: The film's ending was changed for the American release to be less ambiguous, which Fulci disapproved of.
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The House by the Cemetery (1981)
Description: This film delves into the eerie history of a haunted house with a dark secret, featuring Fulci's characteristic blend of atmospheric horror and graphic violence.
Fact: The film was shot in the same house used for "The Beyond," giving it a continuity in Fulci's visual storytelling.
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The New York Ripper (1982)
Description: A gritty slasher film set in New York, known for its extreme violence and controversial content, it's a stark departure from Fulci's supernatural horror themes.
Fact: The film was heavily cut in many countries, including the UK, where it was banned for years.
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A Lizard in a Woman's Skin (1971)
Description: While not strictly a horror film, it contains elements of psychological horror and surrealism, showcasing Fulci's early experimentation with genre blending.
Fact: The film was heavily censored in the UK, with scenes involving animal cruelty being cut.
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The Beyond (1981)
Description: A surreal journey into the supernatural, "The Beyond" blends gothic horror with Fulci's signature gore, creating an eerie atmosphere that has made it a cult classic.
Fact: The film was part of Fulci's unofficial "Gates of Hell" trilogy, which also includes "City of the Living Dead" and "The House by the Cemetery."
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Zombie Flesh Eaters (1979)
Description: Often considered Fulci's magnum opus in the zombie genre, this film features some of the most iconic and gruesome scenes in horror cinema, including the infamous eye-gouging scene.
Fact: The film was banned in several countries due to its graphic violence. It was also released in the UK under the title "Zombie Flesh Eaters" to avoid confusion with George A. Romero's "Dawn of the Dead."
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The Black Cat (1981)
Description: Inspired by Edgar Allan Poe, this film explores themes of witchcraft and satanism, with Fulci's signature gore and eerie atmosphere.
Fact: Fulci himself appears in a cameo as a photographer.
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Manhattan Baby (1982)
Description: A lesser-known Fulci film, it combines elements of supernatural horror with an Egyptian curse, offering a unique take on possession and ancient evils.
Fact: The film was shot in both New York and Rome, showcasing Fulci's ability to blend different cultural settings.
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