Hammer Films, a British film production company, became synonymous with horror cinema during the 1950s to 1970s. This collection showcases ten of their most iconic horror films, each with British English dubbing, offering a glimpse into the studio's gothic, atmospheric, and often lurid take on classic horror tales. These films are not just about scares; they are a testament to Hammer's unique blend of horror, fantasy, and melodrama, making them essential viewing for any horror aficionado.

The Curse of Frankenstein (1957)
Description: This film marked Hammer's first foray into the horror genre, reimagining Mary Shelley's classic with a more lurid and violent twist, setting the tone for Hammer's horror legacy.
Fact: It was the first film to feature Peter Cushing as Dr. Frankenstein and Christopher Lee as the Monster, establishing their iconic partnership in Hammer's horror films.


Dracula (1958)
Description: Hammer's adaptation of Bram Stoker's Dracula, featuring Christopher Lee as the Count, is noted for its vivid color, eroticism, and the portrayal of Dracula as a more sexual and violent figure.
Fact: Christopher Lee's portrayal of Dracula was so iconic that he played the role in several sequels, becoming synonymous with the character.


The Hound of the Baskervilles (1959)
Description: Hammer's take on the Sherlock Holmes story adds a gothic horror element, with Peter Cushing delivering a memorable performance as Holmes.
Fact: This was the first time Hammer adapted a Sherlock Holmes story, and it was a commercial success, leading to more adaptations.


Dracula: Prince of Darkness (1966)
Description: Christopher Lee returns as Dracula, resurrected through a blood ritual, continuing Hammer's Dracula saga with more gothic horror.
Fact: This was the first film where Dracula speaks no lines, as Christopher Lee was unhappy with the script.


The Mummy (1959)
Description: This film introduces a new twist to the classic mummy tale, focusing on revenge and ancient curses, with Christopher Lee as the titular character.
Fact: The film was a significant departure from Universal's earlier Mummy films, focusing more on horror than adventure.


The Brides of Dracula (1960)
Description: Although Dracula himself does not appear, this film explores the aftermath of his influence, with a new vampire terrorizing a small town.
Fact: It was originally intended to be a direct sequel to Hammer's Dracula, but Christopher Lee declined to return, leading to a new vampire antagonist.


The Phantom of the Opera (1962)
Description: Hammer's version of Gaston Leroux's novel adds a unique twist with the Phantom's disfigurement being caused by acid, rather than congenital.
Fact: Herbert Lom, known for his role in the Pink Panther series, plays the Phantom, bringing a different kind of menace to the character.


The Gorgon (1964)
Description: This film blends Greek mythology with Hammer's horror style, featuring a woman who transforms into the mythical Gorgon.
Fact: It was one of the last films to feature Peter Cushing and Christopher Lee together in a Hammer production.


Frankenstein Created Woman (1967)
Description: Hammer explores themes of love, revenge, and the soul in this unique Frankenstein story where the Baron transfers a soul into a new body.
Fact: It was one of the few Hammer Frankenstein films where the monster is not the primary focus.


The Vampire Lovers (1970)
Description: This film introduces Carmilla, a female vampire, and marks Hammer's venture into more erotic horror, blending vampire lore with lesbian themes.
Fact: It was part of Hammer's Karnstein Trilogy, focusing on female vampires, and was one of the studio's attempts to refresh the horror genre.
