- The Dawns Here Are Quiet (1972)
- The Lady with the Dog (1960)
- The Return of the Prodigal Son (1976)
- A Cruel Romance (1984)
- The House Under the Cherry Tree (1972)
- The Beginning (1970)
- The Long Farewell (1971)
- The Story of Asya Klyachina, Who Loved But Did Not Marry (1966)
- The Stationmaster (1972)
- The Flight (1970)
This curated collection of Soviet films explores the theme of pregnancy, offering viewers a glimpse into the cultural, social, and emotional aspects of this life-changing experience from a Soviet perspective. These films not only provide entertainment but also serve as a window into the historical and societal norms of the USSR, making them valuable for both cinephiles and those interested in cultural studies.

The Dawns Here Are Quiet (1972)
Description: This war drama includes a subplot where one of the female soldiers discovers she is pregnant, adding a layer of personal struggle to the wartime narrative.
Fact: The film was one of the highest-grossing Soviet films of the 1970s.


The Lady with the Dog (1960)
Description: This adaptation of Chekhov's story includes a narrative where the protagonist's affair leads to an unexpected pregnancy, highlighting the moral and social implications of such relationships.
Fact: The film was praised for its faithful adaptation of Chekhov's nuanced storytelling.


The Return of the Prodigal Son (1976)
Description: This film, while focusing on family dynamics, includes a storyline where one of the characters faces the challenges of an unexpected pregnancy, exploring themes of forgiveness and reconciliation.
Fact: The film was based on a play by Alexander Vampilov, known for his insightful character studies.


A Cruel Romance (1984)
Description: This adaptation of Alexander Ostrovsky's play features a subplot where the protagonist, Larisa, faces the challenges of an unexpected pregnancy, highlighting societal attitudes towards unwed mothers in 19th-century Russia.
Fact: The film was nominated for the Golden Prize at the 14th Moscow International Film Festival.


The House Under the Cherry Tree (1972)
Description: This film tells the story of a young woman who, after discovering her pregnancy, moves to the countryside, exploring themes of independence and self-discovery amidst the backdrop of Soviet rural life.
Fact: The film was one of the first Soviet movies to openly discuss the topic of single motherhood.


The Beginning (1970)
Description: A poignant tale of a young couple dealing with an unplanned pregnancy, showcasing the emotional and moral dilemmas faced by Soviet youth in the late 1960s.
Fact: The film was controversial for its time due to its frank depiction of pre-marital sex and abortion.


The Long Farewell (1971)
Description: While not solely about pregnancy, this film includes a subplot where the protagonist's sister deals with the complexities of motherhood, reflecting on family dynamics and personal growth.
Fact: The film won the Grand Prix at the 1972 All-Union Film Festival.


The Story of Asya Klyachina, Who Loved But Did Not Marry (1966)
Description: This film, though not directly about pregnancy, explores themes of love, betrayal, and the consequences of relationships, including the societal pressures on women regarding marriage and motherhood.
Fact: The film was banned for many years due to its critical portrayal of Soviet rural life.


The Stationmaster (1972)
Description: Based on a story by Alexander Pushkin, this film features a subplot where the stationmaster's daughter becomes pregnant, exploring themes of honor, duty, and the societal treatment of women.
Fact: The film was part of a series of adaptations of Pushkin's works.


The Flight (1970)
Description: A film about a woman escaping her oppressive life, which includes a subplot of her dealing with an unplanned pregnancy, reflecting on themes of freedom and personal choice.
Fact: The film was directed by Alexander Alov and Vladimir Naumov, known for their deep psychological dramas.
